{"title":"Store","description":"","products":[{"product_id":"glina-sibelco-ateliermassen-2502-10kg","title":"Sibelco Ateliermassen 2502 clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"82\"\u003eSibelco Ateliermassen Weiss 2502 Clay – light, finely grogged stoneware body\u003c\/h3\u003e\n\u003cp data-start=\"84\" data-end=\"376\"\u003e\u003cstrong data-start=\"84\" data-end=\"116\"\u003eSibelco Ateliermassen Weiss 2502\u003c\/strong\u003e is a light stoneware body with 25% very fine grog. The 0–0.2 mm grain strengthens the form but remains almost imperceptible on the finished surface, making the body well-suited for throwing and functional ware. After firing, it achieves a neutral cream color.\u003c\/p\u003e\n\u003cp data-start=\"378\" data-end=\"394\"\u003e\u003cstrong data-start=\"378\" data-end=\"394\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"396\" data-end=\"422\"\u003e\n\n\u003cstrong data-start=\"398\" data-end=\"414\"\u003eFired color:\u003c\/strong\u003e cream\u003c\/li\u003e\n\n\u003cli data-start=\"424\" data-end=\"468\"\u003e\n\n\u003cstrong data-start=\"426\" data-end=\"439\"\u003eApplication:\u003c\/strong\u003e throwing and hand-building\u003c\/li\u003e\n\n\u003cli data-start=\"470\" data-end=\"514\"\u003e\n\n\u003cstrong data-start=\"472\" data-end=\"478\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"516\" data-end=\"556\"\u003e\n\n\u003cstrong data-start=\"518\" data-end=\"544\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"558\" data-end=\"607\"\u003e\n\n\u003cstrong data-start=\"560\" data-end=\"578\"\u003eGrog content:\u003c\/strong\u003e 25% grog, 0–0.2 mm grain\u003c\/li\u003e\n\n\u003cli data-start=\"609\" data-end=\"643\"\u003e\n\n\u003cstrong data-start=\"611\" data-end=\"632\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 6.3%\u003c\/li\u003e\n\n\u003cli data-start=\"645\" data-end=\"686\"\u003e\n\n\u003cstrong data-start=\"647\" data-end=\"666\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 5.1% at 1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"688\" data-end=\"735\"\u003e\n\n\u003cstrong data-start=\"690\" data-end=\"715\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 3.9% at 1200°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"739\" data-end=\"1149\"\u003eIt is suitable for cups, bowls, plates, vases, slab forms, and daily workshop work. It is a good choice when a body lighter and more stable than the non-grogged version is needed, but without a distinctly sculptural texture. It is a safe choice as the first stoneware body in a studio — it forgives minor shaping errors while providing a sufficiently clean result for selling finished products.\u003c\/p\u003e\n\u003cp data-start=\"1151\" data-end=\"1412\"\u003e\u003csmall data-start=\"1151\" data-end=\"1412\"\u003eThe parameters provided are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the chosen body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407702855,"sku":"51121195","price":48.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1a8123d8-4d6b-4945-9dfc-790ed8b21f66.png?v=1781625346"},{"product_id":"glina-sibelco-beton-2002-10kg","title":"Sibelco Beton 2002 Clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"111\"\u003eSibelco Beton 2002 Clay, also known as Betongrau 2002 – concrete-grey, finely grogged stoneware body\u003c\/h3\u003e\n\u003cp data-start=\"113\" data-end=\"424\"\u003e\u003cstrong data-start=\"113\" data-end=\"166\"\u003eSibelco Beton 2002, also known as Betongrau 2002\u003c\/strong\u003e, is a finely grogged stoneware body with a modern, concrete-grey color. As the temperature increases, the shade becomes deeper and more mineral. The 20% grog content (0–0.2 mm) improves stability but does not create an aggressively rough surface.\u003c\/p\u003e\n\u003cp data-start=\"426\" data-end=\"442\"\u003e\u003cstrong data-start=\"426\" data-end=\"442\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"444\" data-end=\"494\"\u003e\n\n\u003cstrong data-start=\"446\" data-end=\"462\"\u003eFired color:\u003c\/strong\u003e cream-grey to concrete-grey\u003c\/li\u003e\n\n\u003cli data-start=\"496\" data-end=\"553\"\u003e\n\n\u003cstrong data-start=\"498\" data-end=\"511\"\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpture\u003c\/li\u003e\n\n\u003cli data-start=\"555\" data-end=\"599\"\u003e\n\n\u003cstrong data-start=\"557\" data-end=\"563\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"601\" data-end=\"641\"\u003e\n\n\u003cstrong data-start=\"603\" data-end=\"629\"\u003eFiring range:\u003c\/strong\u003e 1000–1250°C\u003c\/li\u003e\n\n\u003cli data-start=\"643\" data-end=\"692\"\u003e\n\n\u003cstrong data-start=\"645\" data-end=\"663\"\u003eGrog content:\u003c\/strong\u003e 20% grog, 0–0.2 mm grain\u003c\/li\u003e\n\n\u003cli data-start=\"694\" data-end=\"728\"\u003e\n\n\u003cstrong data-start=\"696\" data-end=\"717\"\u003eDrying shrinkage:\u003c\/strong\u003e approximately 5.8%\u003c\/li\u003e\n\n\u003cli data-start=\"730\" data-end=\"771\"\u003e\n\n\u003cstrong data-start=\"732\" data-end=\"751\"\u003eFiring shrinkage:\u003c\/strong\u003e approximately 8.3% at 1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"773\" data-end=\"841\"\u003e\n\n\u003cstrong data-start=\"775\" data-end=\"800\"\u003eWater absorption after firing:\u003c\/strong\u003e approximately 3.2% at 1200°C; approximately 0.5% at 1250°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"845\" data-end=\"1250\"\u003eRecommended for utilitarian pottery, planters, lamps, vases, sculptures, and modern decorative objects. Transparent and semi-transparent glazes preserve the visible grey character of the bisque, while light glazes create a strong contrast. Increasingly chosen by interior designers and studios creating series in Japandi or industrial styles, where a raw, concrete aesthetic is valued.\u003c\/p\u003e\n\u003cp data-start=\"1252\" data-end=\"1513\"\u003e\u003csmall data-start=\"1252\" data-end=\"1513\"\u003eThe given parameters are approximate. The final color, shrinkage, absorbency, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the chosen body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407735623,"sku":"51121212","price":57.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/3928d625-5c10-4d1e-94ef-aaedb75b8e7d.png?v=1781625217"},{"product_id":"glina-sibelco-r2502-10kg","title":"Sibelco R2502 Clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"72\"\u003eSibelco R2502 Clay – finely grogged stoneware body in red\u003c\/h3\u003e\n\u003cp data-start=\"74\" data-end=\"363\"\u003e\u003cstrong data-start=\"74\" data-end=\"87\"\u003eSibelco R2502\u003c\/strong\u003e is a stoneware body with 25% very fine grog. The 0–0.2 mm grain size provides structural support but leaves the surface much smoother than sculptural bodies with coarse grog. After firing, the color changes from light red to reddish-brown.\u003c\/p\u003e\n\u003cp data-start=\"365\" data-end=\"381\"\u003e\u003cstrong data-start=\"365\" data-end=\"381\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"383\" data-end=\"436\"\u003e\n\n\u003cstrong data-start=\"385\" data-end=\"401\"\u003eFired color:\u003c\/strong\u003e light red to reddish-brown\u003c\/li\u003e\n\n\u003cli data-start=\"438\" data-end=\"495\"\u003e\n\n\u003cstrong data-start=\"440\" data-end=\"453\"\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpture\u003c\/li\u003e\n\n\u003cli data-start=\"497\" data-end=\"541\"\u003e\n\n\u003cstrong data-start=\"499\" data-end=\"505\"\u003eForm:\u003c\/strong\u003e plastic clay, 10 kg packs\u003c\/li\u003e\n\n\u003cli data-start=\"543\" data-end=\"583\"\u003e\n\n\u003cstrong data-start=\"545\" data-end=\"571\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"585\" data-end=\"634\"\u003e\n\n\u003cstrong data-start=\"587\" data-end=\"605\"\u003eGrog content:\u003c\/strong\u003e 25% grog, 0–0.2 mm grain\u003c\/li\u003e\n\n\u003cli data-start=\"636\" data-end=\"670\"\u003e\n\n\u003cstrong data-start=\"638\" data-end=\"659\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 5.0%\u003c\/li\u003e\n\n\u003cli data-start=\"672\" data-end=\"713\"\u003e\n\n\u003cstrong data-start=\"674\" data-end=\"693\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 4.6% at 1100°C\u003c\/li\u003e\n\n\u003cli data-start=\"715\" data-end=\"762\"\u003e\n\n\u003cstrong data-start=\"717\" data-end=\"742\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 6.0% at 1100°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"766\" data-end=\"1118\"\u003eRecommended for cups, bowls, vases, slab forms, and smaller sculptures. Thanks to its fine grog, it can be a convenient choice for those who want to achieve a warm red stoneware color without a very rough surface. It's a convenient alternative to the R2505 body when a slightly smoother surface is desired while maintaining a warm, red fired body color.\u003c\/p\u003e\n\u003cp data-start=\"1120\" data-end=\"1381\"\u003e\u003csmall data-start=\"1120\" data-end=\"1381\"\u003eThe given parameters are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the chosen body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407801159,"sku":"51121213","price":49.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/7513d4ab-b434-49c4-888b-1de8f8f1cbfb.png?v=1781622026"},{"product_id":"glina-sibelco-r2505-10kg","title":"Sibelco R2505 Clay 10kg","description":"\u003ch3\u003eSibelco R2505 Clay – red grogged stoneware clay\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSibelco R2505\u003c\/strong\u003e is a stoneware clay with 25% grog (0–0.5 mm). After firing, it achieves a color ranging from light red to reddish-brown, and its medium-fine grain ensures good stability for modeling and building forms. The natural color of the bisque body looks good both unglazed and under a transparent coating.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFired color:\u003c\/strong\u003e light red to reddish-brown\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpture\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eForm:\u003c\/strong\u003e plastic clay, packaged in 10 kg\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFiring temperature range:\u003c\/strong\u003e 1000–1250°C\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eGrog content:\u003c\/strong\u003e 25% grog, grain 0–0.5 mm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDrying shrinkage:\u003c\/strong\u003e approx. 6.0%\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFiring shrinkage:\u003c\/strong\u003e approx. 4.5% at 1100°C\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWater absorption after firing:\u003c\/strong\u003e approx. 6.0% at 1100°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003eIt is suitable for pots, sculptures, decorative vessels, large bowls, and hand-built forms. It can also be used on the wheel when a slightly textured surface is desired. Light glazes will provide a strong contrast, while transparent glazes will emphasize the natural color of the bisque body. It is a popular choice among sculptors and garden ceramics artists who value both the stability of the clay and the warm, earthy colors of the finished product.\u003c\/p\u003e\n\u003cp\u003e\u003csmall\u003eThe parameters provided are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend conducting a technological test with the selected clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407899463,"sku":"51121214","price":74.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/7513d4ab-b434-49c4-888b-1de8f8f1cbfb.png?v=1781622026"},{"product_id":"glina-sibelco-ateliermassen-10kg","title":"Sibelco Ateliermassen clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"70\"\u003eSibelco Ateliermassen Weiss Clay – smooth stoneware body without grog\u003c\/h3\u003e\n\u003cp data-start=\"72\" data-end=\"384\"\u003e\u003cstrong data-start=\"72\" data-end=\"99\"\u003eSibelco Ateliermassen Weiss\u003c\/strong\u003e is a light, smooth stoneware body without added grog. It is plastic, pleasant to throw, and provides an even surface, making it suitable as a versatile studio clay. After firing, it takes on a light cream color, which serves as a neutral background for most glazes and decorations.\u003c\/p\u003e\n\u003cp data-start=\"386\" data-end=\"402\"\u003e\u003cstrong data-start=\"386\" data-end=\"402\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"404\" data-end=\"435\"\u003e\n\n\u003cstrong data-start=\"406\" data-end=\"422\"\u003eFired color:\u003c\/strong\u003e light cream\u003c\/li\u003e\n\n\u003cli data-start=\"437\" data-end=\"461\"\u003e\n\n\u003cstrong data-start=\"439\" data-end=\"452\"\u003eApplication:\u003c\/strong\u003e throwing\u003c\/li\u003e\n\n\u003cli data-start=\"463\" data-end=\"507\"\u003e\n\n\u003cstrong data-start=\"465\" data-end=\"471\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"509\" data-end=\"549\"\u003e\n\n\u003cstrong data-start=\"511\" data-end=\"537\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1260°C\u003c\/li\u003e\n\n\u003cli data-start=\"551\" data-end=\"576\"\u003e\n\n\u003cstrong data-start=\"553\" data-end=\"571\"\u003eGrog content:\u003c\/strong\u003e none\u003c\/li\u003e\n\n\u003cli data-start=\"578\" data-end=\"612\"\u003e\n\n\u003cstrong data-start=\"580\" data-end=\"601\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 6.6%\u003c\/li\u003e\n\n\u003cli data-start=\"614\" data-end=\"655\"\u003e\n\n\u003cstrong data-start=\"616\" data-end=\"635\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 6.0% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"657\" data-end=\"704\"\u003e\n\n\u003cstrong data-start=\"659\" data-end=\"684\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 2.0% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"708\" data-end=\"1103\"\u003eRecommended for mugs, cups, bowls, plates, vases, and other smooth-surfaced vessels. It also works well in classes and for daily studio work, especially where easy finishing, trimming, and a clear glaze color are important. Thanks to the lack of grog, it is also a good option for beginners on the pottery wheel who are just learning to feel the clay under their fingers.\u003c\/p\u003e\n\u003cp data-start=\"1105\" data-end=\"1366\"\u003e\u003csmall data-start=\"1105\" data-end=\"1366\"\u003eThe parameters given are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the selected clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407932231,"sku":"51121260","price":55.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1a8123d8-4d6b-4945-9dfc-790ed8b21f66.png?v=1781625346"},{"product_id":"glina-sibelco-wm2502b-10kg","title":"Sibelco WM2502B Clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"66\"\u003eSibelco WM2502B Clay – warm, finely grogged stoneware body\u003c\/h3\u003e\n\u003cp data-start=\"68\" data-end=\"400\"\u003e\u003cstrong data-start=\"68\" data-end=\"83\"\u003eSibelco WM2502B\u003c\/strong\u003e is a finely grogged stoneware body with a warm color that transitions from apricot and yellow to khaki as the temperature increases. It contains 25% grog (0–0.2 mm), which gives it good stability while remaining suitable for throwing and making vessels with a relatively smooth surface.\u003c\/p\u003e\n\u003cp data-start=\"402\" data-end=\"418\"\u003e\u003cstrong data-start=\"402\" data-end=\"418\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"420\" data-end=\"463\"\u003e\n\n\u003cstrong data-start=\"422\" data-end=\"438\"\u003eFired color:\u003c\/strong\u003e apricot, yellow to khaki\u003c\/li\u003e\n\n\u003cli data-start=\"465\" data-end=\"489\"\u003e\n\n\u003cstrong data-start=\"467\" data-end=\"480\"\u003eApplication:\u003c\/strong\u003e throwing\u003c\/li\u003e\n\n\u003cli data-start=\"491\" data-end=\"535\"\u003e\n\n\u003cstrong data-start=\"493\" data-end=\"499\"\u003eForm:\u003c\/strong\u003e plastic clay, 10 kg packs\u003c\/li\u003e\n\n\u003cli data-start=\"537\" data-end=\"577\"\u003e\n\n\u003cstrong data-start=\"539\" data-end=\"565\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"579\" data-end=\"628\"\u003e\n\n\u003cstrong data-start=\"581\" data-end=\"599\"\u003eGrog content:\u003c\/strong\u003e 25% grog, 0–0.2 mm grain\u003c\/li\u003e\n\n\u003cli data-start=\"630\" data-end=\"664\"\u003e\n\n\u003cstrong data-start=\"632\" data-end=\"653\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 5.8%\u003c\/li\u003e\n\n\u003cli data-start=\"666\" data-end=\"707\"\u003e\n\n\u003cstrong data-start=\"668\" data-end=\"687\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 5.5% at 1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"709\" data-end=\"756\"\u003e\n\n\u003cstrong data-start=\"711\" data-end=\"736\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 2.0% at 1200°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"760\" data-end=\"1213\"\u003eRecommended for utilitarian ware, mugs, bowls, plates, vases, and decorative works. The body's color can affect glaze shades, thus yielding particularly interesting results with transparent glazes, celadons, effect glazes, and decorations that leave parts of the bisque exposed. The warm, variable coloration means that even from the same firing, vessels can have slightly different shades, which fits well with the handcrafted nature of the series.\u003c\/p\u003e\n\u003cp data-start=\"1215\" data-end=\"1476\"\u003e\u003csmall data-start=\"1215\" data-end=\"1476\"\u003eThe given parameters are approximate. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before making a larger series, we recommend a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826407964999,"sku":"51121261","price":49.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/6dd1011f-18e9-4002-9997-c86e3199517b.png?v=1781626145"},{"product_id":"glina-sibelco-wm3020fs-10kg","title":"Sibelco WM3020FS Clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"70\"\u003eSibelco WM3020FS Clay – Coarse Grog Stoneware Clay for Large Forms\u003c\/h3\u003e\n\u003cp data-start=\"72\" data-end=\"373\"\u003e\u003cstrong data-start=\"72\" data-end=\"88\"\u003eSibelco WM3020FS\u003c\/strong\u003e is a coarse-grained stoneware clay body specifically designed for larger objects. It contains 30% black grog with a grain size of 0.5–2.0 mm, which significantly strengthens the structure and gives the surface a raw, mineral character. After firing, the clay has a creamy, non-uniform mélange shade.\u003c\/p\u003e\n\u003cp data-start=\"375\" data-end=\"391\"\u003e\u003cstrong data-start=\"375\" data-end=\"391\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"393\" data-end=\"427\"\u003e\n\n\u003cstrong data-start=\"395\" data-end=\"411\"\u003eFired color:\u003c\/strong\u003e creamy mélange\u003c\/li\u003e\n\n\u003cli data-start=\"429\" data-end=\"486\"\u003e\n\n\u003cstrong data-start=\"431\" data-end=\"444\"\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpture\u003c\/li\u003e\n\n\u003cli data-start=\"488\" data-end=\"532\"\u003e\n\n\u003cstrong data-start=\"490\" data-end=\"496\"\u003eForm:\u003c\/strong\u003e plastic clay, packaged in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"534\" data-end=\"574\"\u003e\n\n\u003cstrong data-start=\"536\" data-end=\"562\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1250°C\u003c\/li\u003e\n\n\u003cli data-start=\"576\" data-end=\"636\"\u003e\n\n\u003cstrong data-start=\"578\" data-end=\"596\"\u003eGrog content:\u003c\/strong\u003e 30% black grog, grain size 0.5–2.0 mm\u003c\/li\u003e\n\n\u003cli data-start=\"638\" data-end=\"672\"\u003e\n\n\u003cstrong data-start=\"640\" data-end=\"661\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 5.5%\u003c\/li\u003e\n\n\u003cli data-start=\"674\" data-end=\"715\"\u003e\n\n\u003cstrong data-start=\"676\" data-end=\"695\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 3.5% at 1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"717\" data-end=\"764\"\u003e\n\n\u003cstrong data-start=\"719\" data-end=\"744\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 6.0% at 1200°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"768\" data-end=\"1229\"\u003eIt is best suited for sculpture, large planters, lamps, architectural forms, and objects built from slabs or coils. Due to its coarse grain, it is not a typical clay for thin-walled functional ceramics, but it can be thrown for forms with a more massive construction. It is a proven choice for sculpture studios and outdoor projects where resistance to stresses during drying and firing is more important than surface smoothness.\u003c\/p\u003e\n\u003cp data-start=\"1231\" data-end=\"1492\"\u003e\u003csmall data-start=\"1231\" data-end=\"1492\"\u003eThe given parameters are approximate. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the selected clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408096071,"sku":"51121262","price":54.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/6323a991-17f2-45f0-995e-bb46c791a5b9.png?v=1781622230"},{"product_id":"glina-sibelco-wms2002gg-10kg","title":"Sibelco WMS2002GG Clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"71\"\u003eSibelco WMS2002GG Clay – speckled stoneware body with black grog\u003c\/h3\u003e\n\u003cp data-start=\"73\" data-end=\"387\"\u003e\u003cstrong data-start=\"73\" data-end=\"90\"\u003eSibelco WMS2002GG\u003c\/strong\u003e is a grey stoneware body with fine, black grog and natural speckling. Dark spots become visible from approximately 1150°C, and the body's color takes on a complex, mineral character. The body combines an interesting visual effect with a surface fine enough for throwing and everyday use.\u003c\/p\u003e\n\u003cp data-start=\"389\" data-end=\"405\"\u003e\u003cstrong data-start=\"389\" data-end=\"405\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"407\" data-end=\"451\"\u003e\n\n\u003cstrong data-start=\"409\" data-end=\"425\"\u003eFired color:\u003c\/strong\u003e grey with dark spots\u003c\/li\u003e\n\n\u003cli data-start=\"453\" data-end=\"497\"\u003e\n\n\u003cstrong data-start=\"455\" data-end=\"468\"\u003eApplication:\u003c\/strong\u003e throwing and hand-building\u003c\/li\u003e\n\n\u003cli data-start=\"499\" data-end=\"543\"\u003e\n\n\u003cstrong data-start=\"501\" data-end=\"507\"\u003eForm:\u003c\/strong\u003e plastic clay, 10 kg packs\u003c\/li\u003e\n\n\u003cli data-start=\"545\" data-end=\"585\"\u003e\n\n\u003cstrong data-start=\"547\" data-end=\"573\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1250°C\u003c\/li\u003e\n\n\u003cli data-start=\"587\" data-end=\"645\"\u003e\n\n\u003cstrong data-start=\"589\" data-end=\"607\"\u003eGrog content:\u003c\/strong\u003e 20% black grog, 0–0.2 mm grain size\u003c\/li\u003e\n\n\u003cli data-start=\"647\" data-end=\"681\"\u003e\n\n\u003cstrong data-start=\"649\" data-end=\"670\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 6.0%\u003c\/li\u003e\n\n\u003cli data-start=\"683\" data-end=\"724\"\u003e\n\n\u003cstrong data-start=\"685\" data-end=\"704\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 5.5% at 1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"726\" data-end=\"773\"\u003e\n\n\u003cstrong data-start=\"728\" data-end=\"753\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 2.5% at 1200°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"777\" data-end=\"1169\"\u003eRecommended for functional ware, bowls, cups, vases, and slab-built forms. It looks particularly good with transparent glazes, celadons, and matte glazes that allow the body's pattern to show through. The natural speckling makes each piece slightly different, which is appreciated by creators seeking a handmade uniqueness without additional decoration.\u003c\/p\u003e\n\u003cp data-start=\"1171\" data-end=\"1432\"\u003e\u003csmall data-start=\"1171\" data-end=\"1432\"\u003eThe parameters provided are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before making a larger series, we recommend a technological test with the chosen clay body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408128839,"sku":"51121263","price":56.9,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/ChatGPT_Image_16_cze_2026_17_45_41.png?v=1781624768"},{"product_id":"glina-sibelco-wms2502-10kg","title":"Sibelco WMS2502 Clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"55\"\u003eWMS 2502 Clay – clay with black, fine grog (25%)\u003c\/h3\u003e\n\u003cp data-start=\"57\" data-end=\"401\"\u003e\u003cstrong data-start=\"57\" data-end=\"65\"\u003eWMS 2502\u003c\/strong\u003e is a subtle and decorative clay with 25% fine grog (0–0.2 mm), which, after firing, creates an effect of black, irregular dots on a cream or grey-brown background. The body works well for throwing and building small hand-formed pieces – maintaining a balance between plasticity and stability during drying and firing.\u003c\/p\u003e\n\u003cp data-start=\"403\" data-end=\"419\"\u003e\u003cstrong data-start=\"403\" data-end=\"419\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"421\" data-end=\"502\"\u003e\n\n\u003cstrong data-start=\"423\" data-end=\"439\"\u003eFired colour:\u003c\/strong\u003e from cream to grey-brown with visible black dots\u003c\/li\u003e\n\n\u003cli data-start=\"504\" data-end=\"547\"\u003e\n\n\u003cstrong data-start=\"506\" data-end=\"519\"\u003eApplication:\u003c\/strong\u003e throwing, hand-building\u003c\/li\u003e\n\n\u003cli data-start=\"549\" data-end=\"593\"\u003e\n\n\u003cstrong data-start=\"551\" data-end=\"557\"\u003eForm:\u003c\/strong\u003e plastic clay, packaged in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"595\" data-end=\"636\"\u003e\n\n\u003cstrong data-start=\"597\" data-end=\"623\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"638\" data-end=\"693\"\u003e\n\n\u003cstrong data-start=\"640\" data-end=\"658\"\u003eGrog content:\u003c\/strong\u003e 25%, fine black grog 0–0.2 mm\u003c\/li\u003e\n\n\u003cli data-start=\"695\" data-end=\"727\"\u003e\n\n\u003cstrong data-start=\"697\" data-end=\"718\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 5.5%\u003c\/li\u003e\n\n\u003cli data-start=\"729\" data-end=\"767\"\u003e\n\n\u003cstrong data-start=\"731\" data-end=\"760\"\u003eFiring shrinkage at 1250 °C:\u003c\/strong\u003e approx. 7%\u003c\/li\u003e\n\n\u003cli data-start=\"769\" data-end=\"815\"\u003e\n\n\u003cstrong data-start=\"771\" data-end=\"806\"\u003eWater absorption after firing at 1250 °C:\u003c\/strong\u003e approx. 0.5%\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"819\" data-end=\"989\"\u003eThis is an ideal choice for potters who appreciate natural surface effects and distinct texture, especially in combination with transparent or translucent glazes.\u003c\/p\u003e\n\u003cp data-start=\"991\" data-end=\"1252\"\u003e\u003csmall data-start=\"991\" data-end=\"1252\"\u003eThe given parameters are approximate. The final colour, shrinkage, water absorption, and glaze behaviour depend on the kiln, atmosphere, soaking time, and firing curve. We recommend a technological test with the selected clay body and glaze before producing a larger series.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408227143,"sku":"51121264","price":49.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/9f5ebb08-d931-4a63-bb17-4c7d6fa0d51b.png?v=1781624901"},{"product_id":"glina-sibelco-wm2502-10kg","title":"Sibelco WM2502 Clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"64\"\u003eSibelco WM2502 Clay – light, fine grog stoneware clay\u003c\/h3\u003e\n\u003cp data-start=\"66\" data-end=\"396\"\u003e\u003cstrong data-start=\"66\" data-end=\"80\"\u003eSibelco WM2502\u003c\/strong\u003e is a versatile, light stoneware clay with 25% very fine grog. After firing, it takes on a shade from off-white to light grey, depending on the temperature and atmosphere. Thanks to the 0–0.2 mm grog, it remains more stable than smooth clays, but still provides a surface suitable for utilitarian ware and throwing on the wheel.\u003c\/p\u003e\n\u003cp data-start=\"398\" data-end=\"414\"\u003e\u003cstrong data-start=\"398\" data-end=\"414\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"416\" data-end=\"465\"\u003e\n\n\u003cstrong data-start=\"418\" data-end=\"434\"\u003eFired colour:\u003c\/strong\u003e white, cream to light grey\u003c\/li\u003e\n\n\u003cli data-start=\"467\" data-end=\"511\"\u003e\n\n\u003cstrong data-start=\"469\" data-end=\"482\"\u003eApplication:\u003c\/strong\u003e throwing and hand-building\u003c\/li\u003e\n\n\u003cli data-start=\"513\" data-end=\"557\"\u003e\n\n\u003cstrong data-start=\"515\" data-end=\"521\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"559\" data-end=\"599\"\u003e\n\n\u003cstrong data-start=\"561\" data-end=\"587\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"601\" data-end=\"650\"\u003e\n\n\u003cstrong data-start=\"603\" data-end=\"621\"\u003eGrog content:\u003c\/strong\u003e 25% grog, grain 0–0.2 mm\u003c\/li\u003e\n\n\u003cli data-start=\"652\" data-end=\"686\"\u003e\n\n\u003cstrong data-start=\"654\" data-end=\"675\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 5.5%\u003c\/li\u003e\n\n\u003cli data-start=\"688\" data-end=\"729\"\u003e\n\n\u003cstrong data-start=\"690\" data-end=\"709\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 5.2% at 1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"731\" data-end=\"799\"\u003e\n\n\u003cstrong data-start=\"733\" data-end=\"758\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 3.5% at 1200°C; approx. 1.2% at 1260°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"803\" data-end=\"1215\"\u003eRecommended for mugs, bowls, plates, vases, slab forms, and daily workshop use. The neutral body works well with both opaque and transparent glazes, and the fine grog helps with larger and more complex forms. Its versatility makes it a common \"default\" studio clay, chosen when there are no specific requirements for colour or texture.\u003c\/p\u003e\n\u003cp data-start=\"1217\" data-end=\"1478\"\u003e\u003csmall data-start=\"1217\" data-end=\"1478\"\u003eThe parameters given are indicative. The final colour, shrinkage, absorbency, and glaze behaviour depend on the kiln, atmosphere, soaking time, and firing curve. Before making a larger series, we recommend a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408259911,"sku":"51121265","price":49.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/WM2502_Sibelco.png?v=1789126882"},{"product_id":"glina-sibelco-nigra-2002-10kg","title":"Sibelco Nigra 2002 Clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"69\"\u003eSibelco Nigra 2002 Clay – Black, Finely Grogged Stoneware Clay Body\u003c\/h3\u003e\n\u003cp data-start=\"71\" data-end=\"407\"\u003e\u003cstrong data-start=\"71\" data-end=\"89\"\u003eSibelco Nigra 2002\u003c\/strong\u003e is a black stoneware clay body with very fine, black grog. After firing, it creates a deep, dark body that contrasts effectively with light, transparent, and reactive glazes. The fine grain allows for a relatively smooth surface while improving the stability of the clay during work.\u003c\/p\u003e\n\u003cp data-start=\"409\" data-end=\"425\"\u003e\u003cstrong data-start=\"409\" data-end=\"425\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"427\" data-end=\"452\"\u003e\n\n\u003cstrong data-start=\"429\" data-end=\"445\"\u003eFired color:\u003c\/strong\u003e black\u003c\/li\u003e\n\n\u003cli data-start=\"454\" data-end=\"511\"\u003e\n\n\u003cstrong data-start=\"456\" data-end=\"469\"\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpture\u003c\/li\u003e\n\n\u003cli data-start=\"513\" data-end=\"557\"\u003e\n\n\u003cstrong data-start=\"515\" data-end=\"521\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"559\" data-end=\"599\"\u003e\n\n\u003cstrong data-start=\"561\" data-end=\"587\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"601\" data-end=\"659\"\u003e\n\n\u003cstrong data-start=\"603\" data-end=\"621\"\u003eGrog content:\u003c\/strong\u003e 20% black grog, grain size 0–0.2 mm\u003c\/li\u003e\n\n\u003cli data-start=\"661\" data-end=\"695\"\u003e\n\n\u003cstrong data-start=\"663\" data-end=\"684\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 5.5%\u003c\/li\u003e\n\n\u003cli data-start=\"697\" data-end=\"738\"\u003e\n\n\u003cstrong data-start=\"699\" data-end=\"718\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 7.5% at 1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"740\" data-end=\"787\"\u003e\n\n\u003cstrong data-start=\"742\" data-end=\"767\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 3.0% at 1200°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"791\" data-end=\"1232\"\u003eIt is suitable for cups, bowls, vases, decorative plates, sculptures, and slab forms. The dark body can significantly alter the appearance of glazes, so it is advisable to test samples, especially with light and transparent glazes, before glazing an entire series. The intense blackness of the body is increasingly used in modern, minimalist tableware and decorative ceramics, where it contrasts with light or metallic glazes.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1495\"\u003e\u003csmall data-start=\"1234\" data-end=\"1495\"\u003eThe parameters provided are indicative. The final color, shrinkage, absorbency, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend conducting a technological test with the chosen clay body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":51826408292679,"sku":"51121266","price":74.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/c6f629b4-ed1d-4deb-8187-ab64fbf86093.png?v=1781621934"},{"product_id":"fartuch-garncarski-studio-2","title":"Pottery Apron Studio without Pockets","description":"\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eAlike Potter's Apron – Designed by and for Potters\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePractical, comfortable, and created for everyday work at the potter's wheel. The Alike apron is an indispensable piece of equipment for every ceramicist – both professionals and enthusiasts.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul style=\"margin-top: 0cm;\" type=\"disc\"\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eSpecial front slit\u003c\/b\u003e – provides freedom of movement and a comfortable position while throwing on the potter's wheel.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003e100% cotton\u003c\/b\u003e – natural, breathable material guarantees comfort and ease of cleaning.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eLarge overlap of material\u003c\/b\u003e – effectively protects trousers from splashes and dirt.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eTie straps at the neck\u003c\/b\u003e – easily adjust the apron to your height.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eReinforcements at the ties\u003c\/b\u003e – for durability and reliability even with intensive use.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eWidening at the top (25 cm)\u003c\/b\u003e – for greater comfort and better fit.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eHanger\u003c\/b\u003e – convenient storage after work.\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\n\n\u003cb\u003eAlike leather logo\u003c\/b\u003e – a subtle detail emphasizing the quality and artisanal character of the product.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul style=\"margin-top: 0cm;\" type=\"disc\"\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l1 level1 lfo2; tab-stops: list 36.0pt;\"\u003eLength: 108 cm\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\" style=\"mso-list: l1 level1 lfo2; tab-stops: list 36.0pt;\"\u003eWidth: 82 cm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003eThe Alike potter's apron is a tool for work and an element of identity – designed by people who understand the meaning of dirty work and the pure joy of creation.\u003c\/p\u003e","brand":"Alike Pottery Studio","offers":[{"title":"Default Title","offer_id":51839286509895,"sku":"511211980","price":199.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/852276B3-F518-4364-9D92-7A7A3A4B084E.jpg?v=1785100710"},{"product_id":"masa-recyklingowa-alike-4kg","title":"Alike Recycled clay body 4kg","description":"\u003ch3 data-start=\"0\" data-end=\"75\"\u003eAlike recycling clay – material with a history and unique character\u003c\/h3\u003e\n\u003cp data-start=\"77\" data-end=\"388\"\u003eThis is clay that has already been used in the studio, then thoroughly reprocessed, re-hydrated, and combined with fresh clay. It is mainly made from scraps of Sibelco and Goerg \u0026amp; Schneider clays, which helps reduce waste and reuse valuable ceramic material.\u003c\/p\u003e\n\u003cp data-start=\"390\" data-end=\"406\"\u003e\u003cstrong data-start=\"390\" data-end=\"406\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"408\" data-end=\"504\"\u003e\n\n\u003cstrong data-start=\"410\" data-end=\"426\"\u003eFired color:\u003c\/strong\u003e grey; shade, speckling, and traces of other clays may vary between batches\u003c\/li\u003e\n\n\u003cli data-start=\"506\" data-end=\"589\"\u003e\n\n\u003cstrong data-start=\"508\" data-end=\"521\"\u003eApplication:\u003c\/strong\u003e experimental, practice, workshop, and hand-building works\u003c\/li\u003e\n\n\u003cli data-start=\"591\" data-end=\"634\"\u003e\n\n\u003cstrong data-start=\"593\" data-end=\"599\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 4 kg\u003c\/li\u003e\n\n\u003cli data-start=\"636\" data-end=\"676\"\u003e\n\n\u003cstrong data-start=\"638\" data-end=\"664\"\u003eFiring temperature range:\u003c\/strong\u003e 1180–1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"678\" data-end=\"762\"\u003e\n\n\u003cstrong data-start=\"680\" data-end=\"686\"\u003eComposition:\u003c\/strong\u003e mixture of recycled ceramic clays, mainly Sibelco and Goerg \u0026amp; Schneider\u003c\/li\u003e\n\n\u003cli data-start=\"764\" data-end=\"818\"\u003e\n\n\u003cstrong data-start=\"766\" data-end=\"787\"\u003eDrying shrinkage:\u003c\/strong\u003e variable depending on the batch\u003c\/li\u003e\n\n\u003cli data-start=\"820\" data-end=\"872\"\u003e\n\n\u003cstrong data-start=\"822\" data-end=\"841\"\u003eFiring shrinkage:\u003c\/strong\u003e variable depending on the batch\u003c\/li\u003e\n\n\u003cli data-start=\"874\" data-end=\"950\"\u003e\n\n\u003cstrong data-start=\"876\" data-end=\"901\"\u003eWater absorption after firing:\u003c\/strong\u003e variable depending on the batch and firing program\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"954\" data-end=\"1185\"\u003eEach batch is slightly different, which is why this clay is best suited for works where the natural variability of the material is an advantage. We do not recommend it for precise series requiring identical color and parameters in every batch.\u003c\/p\u003e\n\u003cp data-start=\"1187\" data-end=\"1448\"\u003e\u003csmall data-start=\"1187\" data-end=\"1448\"\u003eThe parameters provided are for guidance only. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before carrying out a larger series, we recommend a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Alike Pottery Studio","offers":[{"title":"Default Title","offer_id":51994562199879,"sku":null,"price":9.99,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/L1005003.jpg?v=1785101518"},{"product_id":"porcelana-audrey-blackman-1-kg","title":"Audrey Blackman porcelain 1 kg","description":"\u003ch3 data-start=\"0\" data-end=\"65\"\u003eAudrey Blackman Porcelain – white, translucent porcelain clay\u003c\/h3\u003e\n\u003cp data-start=\"67\" data-end=\"355\"\u003e\u003cstrong data-start=\"67\" data-end=\"105\"\u003eGoerg \u0026amp; Schneider Audrey Blackman 1101\u003c\/strong\u003e is a high-quality white porcelain clay valued for its color purity and ability to achieve delicate translucency in thin walls. It is suitable for both throwing and modeling, and after firing, it creates a bright, smooth, and elegant bisque.\u003c\/p\u003e\n\u003cp data-start=\"357\" data-end=\"373\"\u003e\u003cstrong data-start=\"357\" data-end=\"373\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"375\" data-end=\"448\"\u003e\n\n\u003cstrong data-start=\"377\" data-end=\"393\"\u003eColor after firing:\u003c\/strong\u003e white, partially translucent in thin walls\u003c\/li\u003e\n\n\u003cli data-start=\"450\" data-end=\"529\"\u003e\n\n\u003cstrong data-start=\"452\" data-end=\"465\"\u003eApplication:\u003c\/strong\u003e throwing, thin-walled vessels, jewelry, and decorative forms\u003c\/li\u003e\n\n\u003cli data-start=\"531\" data-end=\"585\"\u003e\n\n\u003cstrong data-start=\"533\" data-end=\"539\"\u003eForm:\u003c\/strong\u003e plastic porcelain clay, packed in 1 kg\u003c\/li\u003e\n\n\u003cli data-start=\"587\" data-end=\"627\"\u003e\n\n\u003cstrong data-start=\"589\" data-end=\"615\"\u003eFiring temperature range:\u003c\/strong\u003e 1220–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"629\" data-end=\"654\"\u003e\n\n\u003cstrong data-start=\"631\" data-end=\"649\"\u003eGrog content:\u003c\/strong\u003e none\u003c\/li\u003e\n\n\u003cli data-start=\"656\" data-end=\"688\"\u003e\n\n\u003cstrong data-start=\"658\" data-end=\"679\"\u003eDrying shrinkage:\u003c\/strong\u003e approximately 6%\u003c\/li\u003e\n\n\u003cli data-start=\"690\" data-end=\"730\"\u003e\n\n\u003cstrong data-start=\"692\" data-end=\"711\"\u003eFiring shrinkage:\u003c\/strong\u003e approximately 12% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"732\" data-end=\"779\"\u003e\n\n\u003cstrong data-start=\"734\" data-end=\"759\"\u003eWater absorption after firing:\u003c\/strong\u003e approximately 0.1% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"783\" data-end=\"1235\"\u003eRecommended for thin-walled cups, bowls, lanterns, ceramic jewelry, decorative forms, and porcelain art objects. This porcelain requires careful drying and support for the forms, and due to its high shrinkage, it is advisable to make dimensional samples and glaze compatibility tests. It is valued by creators of ceramic jewelry and lighting items where the delicate transparency of the walls under light is the main artistic effect.\u003c\/p\u003e\n\u003cp data-start=\"1237\" data-end=\"1498\"\u003e\u003csmall data-start=\"1237\" data-end=\"1498\"\u003eThe parameters provided are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend conducting a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":52682368778567,"sku":"51121141","price":22.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/Audrey.jpg?v=1785117718"},{"product_id":"szkliwo-krystaliczne-kj-blue-tide-238ml","title":"KJ Blue Tide Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when fired correctly, creates spectacular, unique crystals on the surface of ceramics.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the most demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, a suitable recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 height of the vessel, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 height of the vessel, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. A too-thin layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a suitably prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. The running glaze can permanently bond the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program finishes, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to naturally cool to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times provided in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain the temperature at approximately 1150°C for 45 minutes. Between each stage, allow the kiln to cool for about 30 minutes, then perform subsequent holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend testing it on a selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of a given studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the studio must be observed, and appropriate personal protective equipment must be used.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758008856903,"sku":"KJ-028","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003986-01-1-scaled.webp?v=1785104107"},{"product_id":"szkliwo-krystaliczne-kj-blue-tide-476ml","title":"KJ Blue Tide Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate formula, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied in a similar way to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule for Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to naturally cool to approximately 1150°C. Then set the minimal power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a test tile on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety regulations applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758009708871,"sku":"KJ-028P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003986-01-1-scaled_d7f133fb-031c-49a8-be04-ab485cd019ae.webp?v=1785104183"},{"product_id":"szkliwo-krystaliczne-kj-navy-blue-238ml","title":"KJ Navy Blue Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the ceramic surface during a properly conducted firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 the height of the piece, measuring from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 the height of the piece, measuring from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, however, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or stand to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently stick the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule for a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times specified in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set a low power and maintain a temperature of about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, crystal size, and their distribution may vary depending on the ceramic body used, layer thickness, placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific studio conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring Temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758010069319,"sku":"KJ-029","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004830-01-scaled.webp?v=1785104329"},{"product_id":"szkliwo-krystaliczne-kj-navy-blue-476ml","title":"KJ Navy Blue Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were developed to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying at approximately 1\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying at approximately 2\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln's equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times specified in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend testing it on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, adhere to the safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758011543879,"sku":"KJ-029P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004830-01-scaled.webp?v=1785104329"},{"product_id":"szkliwo-krystaliczne-kj-emerald-frost-238ml","title":"KJ Emerald Frost Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze which, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied in a similar way to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the vessel's height, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the vessel's height, measured from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently adhere the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain a temperature of around 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to the final piece, we recommend making a test piece on the chosen ceramic body. Every kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012166471,"sku":"KJ-034","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004845-01-scaled.webp?v=1785104477"},{"product_id":"szkliwo-krystaliczne-kj-emerald-frost-476ml","title":"KJ Emerald Frost Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the ceramic surface during a properly conducted firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the vessel from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the vessel from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This helps achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. Too thin a layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or stilts to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently adhere the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times specified in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set a low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystal Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, crystal size, and distribution may vary depending on the ceramic body used, layer thickness, placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific studio conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During use, adhere to studio safety rules and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring Temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012395847,"sku":"KJ-034P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004845-01-scaled.webp?v=1785104477"},{"product_id":"szkliwo-krystaliczne-kj-cobalt-ocean-238ml","title":"KJ Cobalt Ocean Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates impressive, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, a suitable recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e Apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e Start applying approximately 1\/3 of the way up the piece, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e Start applying approximately 2\/3 of the way up the piece, measured from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This ensures an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thick or too thin.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. A too-thin layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – Glaze Runs Heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or a stilting stand to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place glazed work directly on the shelf. Running glaze can permanently adhere the work to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then set the minimum power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then set to low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a test tile on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012428615,"sku":"KJ-035","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003982-01-scaled.webp?v=1785104630"},{"product_id":"szkliwo-krystaliczne-kj-cobalt-ocean-476ml","title":"KJ Cobalt Ocean Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which creates spectacular, unique crystals on the ceramic surface during a properly executed firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similar to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003eintended for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thick or too thin.\u003c\/strong\u003e Too much glaze can hinder or completely stop crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to naturally cool to about 1150°C. Then, set minimal power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times provided in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain the temperature at about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a sample on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific studio conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012461383,"sku":"KJ-035P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003982-01-scaled.webp?v=1785104630"},{"product_id":"szkliwo-krystaliczne-kj-nickel-amber-238ml","title":"KJ Nickel Amber Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied in a similar way to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 height of the vessel, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 height of the vessel, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thick or too thin.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze runs heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catch tray or protective shelf sitter.\u003c\/p\u003e\n\u003cp\u003eDo not place glazed work directly on the shelf. Running glaze can permanently adhere the work to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to naturally cool to approximately 1150°C. Then set minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then set low power and maintain the temperature at about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a sample on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of the workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012494151,"sku":"KJ-036","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003972-01-scaled.webp?v=1785104775"},{"product_id":"szkliwo-krystaliczne-kj-nickel-amber-476ml","title":"KJ Nickel Amber Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when properly fired, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, the right recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze must be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the piece, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the piece, measured from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This helps achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze flows significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. The flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule for Kilns with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the power to minimum and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times provided in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set a low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, crystal size, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on your chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of your specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis product is intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012559687,"sku":"KJ-036P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003972-01-scaled.webp?v=1785104775"},{"product_id":"szkliwo-krystaliczne-kj-forest-teal-238ml","title":"KJ Forest Teal Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires numerous attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were developed to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the piece, measuring from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the piece, measuring from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A too-thin layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or a stilt protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times specified in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain the temperature at approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, and then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a test tile on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe the safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012592455,"sku":"KJ-037","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003984-01-scaled.webp?v=1785104921"},{"product_id":"szkliwo-krystaliczne-kj-forest-teal-476ml","title":"KJ Forest Teal Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied in a similar way to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying at approximately 1\/3 of the vessel's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying at approximately 2\/3 of the vessel's height, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe glaze should not be applied too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or stilts to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently adhere the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set a low power and maintain the temperature at approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a sample on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of your studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012625223,"sku":"KJ-037P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003984-01-scaled.webp?v=1785104921"},{"product_id":"szkliwo-krystaliczne-kj-woodland-shower-238ml","title":"KJ Woodland Shower Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving desired results often requires many trials, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were developed to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze must be mixed very thoroughly. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e begin application approximately 1\/3 of the way up the vessel from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e begin application approximately 2\/3 of the way up the vessel from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This helps achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A too-thin layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring schedule in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set a low power and maintain a temperature of about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012657991,"sku":"KJ-038","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004000-01-scaled.webp?v=1785105081"},{"product_id":"szkliwo-krystaliczne-kj-woodland-shower-476ml","title":"KJ Woodland Shower Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging techniques in ceramic glazing. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze must be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the piece's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – Glaze Runs Heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catcher or stilts to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently bond the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns Without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain a temperature of about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the studio must be observed, and appropriate personal protective equipment must be used.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring Temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758012952903,"sku":"KJ-038P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004000-01-scaled.webp?v=1785105081"},{"product_id":"szkliwo-krystaliczne-kj-saaphire-blue-238ml","title":"KJ Saaphire Blue Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze which, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the vessel's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the vessel's height, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or a stilting system to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently adhere the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program for kilns with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimal power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain the temperature at approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of a given workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. When working, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013018439,"sku":"KJ-039","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003839-01-scaled.webp?v=1785105247"},{"product_id":"szkliwo-krystaliczne-kj-saaphire-blue-476ml","title":"KJ Saaphire Blue Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the ceramic surface during a properly executed firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the piece, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the piece, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A too-thin layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catch or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to a temperature of \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set a low power and maintain the temperature at about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific studio conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013051207,"sku":"KJ-039P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003839-01-scaled.webp?v=1785105247"},{"product_id":"szkliwo-krystaliczne-kj-mint-tea-238ml","title":"KJ Mint Tea Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging techniques for glazing ceramics. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the vessel's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the vessel's height, counting from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution - glaze flows significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a setter to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to about 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times specified in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain the temperature at about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend conducting a test on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of the workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the workshop and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013149511,"sku":"KJ-041","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003967-01-scaled.webp?v=1785105398"},{"product_id":"szkliwo-krystaliczne-kj-mint-tea-476ml","title":"KJ Mint Tea Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the surface of ceramics during a properly conducted firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate formula, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the ware, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the ware, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. Too thin a layer, on the other hand, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a specially prepared glaze catcher or support to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently adhere the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Program for Kilns with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for approximately 30 minutes. Then, set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for approximately 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eInstructions for applying and firing KJ crystalline glazes\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific conditions of your studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013182279,"sku":"KJ-041P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000003967-01-scaled.webp?v=1785105398"},{"product_id":"szkliwo-krystaliczne-kj-ocean-burst-238ml","title":"KJ Ocean Burst Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze, which, when fired correctly, creates spectacular, unique crystals on the surface of ceramics.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, the right recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied in a similar way to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the ware.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the ware's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by approximately 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze flows strongly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catch or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program for kilns with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeating to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1150°C\u003c\/strong\u003e and holding for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1100°C\u003c\/strong\u003e and holding for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1050°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1000°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e960°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain the temperature at about 1150°C for 45 minutes. Between each stage, allow the kiln to cool for about 30 minutes, then perform subsequent holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glazes Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend testing it on a selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the specific studio conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the studio must be observed, and appropriate personal protective equipment must be used.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013215047,"sku":"KJ-042","price":89.0,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004863-01-scaled.webp?v=1785105554"},{"product_id":"szkliwo-krystaliczne-kj-ocean-burst-476ml","title":"KJ Ocean Burst Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the vessel's height, counting from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the vessel's height, counting from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thick or too thin.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. A too-thin layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze flows significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catcher or a support to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimal power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a test sample on the selected ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific workshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, safety rules applicable in the workshop must be observed, and appropriate personal protective equipment must be used.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring Temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013247815,"sku":"KJ-042P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004863-01-scaled.webp?v=1785105554"},{"product_id":"szkliwo-krystaliczne-kj-harvest-glow-238ml","title":"KJ Harvest Glow Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that creates spectacular, unique crystals on the surface of ceramics during a properly conducted firing.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied in a similar way to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply glaze to the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the vessel, from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the vessel, from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brushstroke should overlap the previous one by about 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can lead to poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eCaution – Glaze Runs Significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catcher or stilts to protect the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place glazed work directly on the shelf. Running glaze can permanently adhere the work to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimal power and maintain the temperature for 45 minutes. Repeat the process for subsequent temperatures, according to the times specified in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform the next holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend creating a sample on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013313351,"sku":"KJ-043","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004853-01-scaled.webp?v=1785105716"},{"product_id":"szkliwo-krystaliczne-kj-harvest-glow-476ml","title":"KJ Harvest Glow Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving the desired results often requires many attempts, an appropriate formula, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the vessel.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the vessel, from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the vessel, from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brushstroke should overlap the previous one by approximately 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, on the other hand, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – the glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Every piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. The running glaze can permanently bond the piece to the shelf and damage the kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring program in a kiln with controlled cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeating to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1150°C\u003c\/strong\u003e and holding for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1100°C\u003c\/strong\u003e and holding for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1050°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e1000°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCooling to \u003cstrong\u003e960°C\u003c\/strong\u003e and holding for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without controlled cooling function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually controlled kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain the temperature at around 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's instructions and videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ crystalline glaze application and firing instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes instructional videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, the thickness of the layer, the placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to your finished work, we recommend making a test piece on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, adhere to the safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013378887,"sku":"KJ-043P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004853-01-scaled.webp?v=1785105716"},{"product_id":"szkliwo-krystaliczne-kj-mossy-green-238ml","title":"KJ Mossy Green Crystal Glaze 238ml","description":"\u003cp\u003eReady-to-use crystalline glaze that, when fired correctly, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more challenging ceramic glazing techniques. Achieving desired results often requires many attempts, an appropriate recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready-to-use and applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze over the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately 1\/3 of the way up the piece, measuring from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately 2\/3 of the way up the piece, measuring from its base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brushstroke should overlap the previous one by approximately 50%. This helps to achieve an even layer of glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely prevent crystal formation. A too-thin layer, however, may result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eWarning – glaze runs significantly\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a stand protecting the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Running glaze can permanently bond the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Schedule in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to cool naturally to approximately 1150°C. Then, set minimal power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times specified in the firing schedule.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set low power and maintain the temperature at about 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the schedule.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, the size of the crystals, and their distribution may vary depending on the ceramic body used, layer thickness, the position of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test piece on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a specific studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During work, observe safety rules applicable in the studio and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013444423,"sku":"KJ-044","price":89.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004837-01-scaled.webp?v=1785105879"},{"product_id":"szkliwo-krystaliczne-kj-mossy-green-476ml","title":"KJ Mossy Green Crystal Glaze 476ml","description":"\u003cp\u003eReady-to-use crystalline glaze which, during a properly conducted firing, creates spectacular, unique crystals on the ceramic surface.\u003c\/p\u003e\n\u003cp\u003eCrystalline glazes are considered one of the more demanding ceramic glazing techniques. Achieving desired results often requires many attempts, a suitable recipe, and a precisely selected firing curve. KJ Tools \u0026amp; Glazes were created to simplify this process. They are ready to use and are applied similarly to standard glazes available on the market.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eready-to-use crystalline glaze,\u003c\/li\u003e\n\n\u003cli\u003edesigned for brush application,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecreates unique crystals during controlled firing,\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003ecan be fired in various types of kilns according to the manufacturer's instructions.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eApplication Method\u003c\/h3\u003e\n\u003cp\u003eBefore use, the glaze should be thoroughly mixed. The manufacturer recommends applying the glaze in three layers:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFirst layer:\u003c\/strong\u003e apply the glaze to the entire glazed surface of the piece.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSecond layer:\u003c\/strong\u003e start applying approximately at 1\/3 of the piece's height, measured from its base.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThird layer:\u003c\/strong\u003e start applying approximately at 2\/3 of the piece's height, measured from the base.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003cp\u003eEach subsequent brush stroke should overlap the previous one by about 50%. This allows for an even glaze layer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not apply the glaze too thickly or too thinly.\u003c\/strong\u003e Too much glaze can hinder or completely inhibit crystal formation. Too thin a layer, however, can result in poor background coverage and limit the final effect.\u003c\/p\u003e\n\u003ch3\u003eNote – the glaze flows heavily\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrystalline glazes are very fluid during firing.\u003c\/strong\u003e Each piece must be fired on a properly prepared glaze catcher or a protective setter for the kiln shelf.\u003c\/p\u003e\n\u003cp\u003eDo not place the glazed piece directly on the shelf. Flowing glaze can permanently stick the piece to the shelf and damage kiln equipment.\u003c\/p\u003e\n\u003ch3\u003eFiring Program in a Kiln with Controlled Cooling\u003c\/h3\u003e\n\u003col\u003e\n\n\u003cli\u003eHeat to \u003cstrong\u003e1267°C\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1150°C\u003c\/strong\u003e and hold for \u003cstrong\u003e45 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1100°C\u003c\/strong\u003e and hold for \u003cstrong\u003e30 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1050°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e1000°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eCool to \u003cstrong\u003e960°C\u003c\/strong\u003e and hold for \u003cstrong\u003e20 minutes\u003c\/strong\u003e.\u003c\/li\u003e\n\n\u003cli\u003eAfter the program ends, allow the kiln to cool naturally.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch3\u003eKilns Without Controlled Cooling Function\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, allow the kiln to naturally cool to approximately 1150°C. Then, set the minimum power and maintain the temperature for 45 minutes. Repeat the process at subsequent temperatures, according to the times given in the firing program.\u003c\/p\u003e\n\u003ch3\u003eManually Controlled Kilns\u003c\/h3\u003e\n\u003cp\u003eAfter reaching 1267°C, the manufacturer recommends allowing the kiln to cool naturally for about 30 minutes. Then, set to low power and maintain a temperature of approximately 1150°C for 45 minutes. Between subsequent stages, allow the kiln to cool for about 30 minutes, then perform further holds according to the program.\u003c\/p\u003e\n\u003ch3\u003eManufacturer's Instructions and Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/kjceramictools.com\/applying-and-firing\/\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Crystalline Glaze Application and Firing Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/@KJtoolsandglazes\/videos\" target=\"_blank\"\u003e\u003cstrong\u003eKJ Tools \u0026amp; Glazes Instructional Videos on YouTube\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eImportant Information\u003c\/h3\u003e\n\u003cp\u003eThe final appearance of the glaze, crystal size, and their distribution may vary depending on the ceramic body used, layer thickness, placement of the piece in the kiln, and the actual temperature profile.\u003c\/p\u003e\n\u003cp\u003eBefore applying the glaze to a finished piece, we recommend making a test sample on the chosen ceramic body. Each kiln and thermocouple may operate slightly differently, so the program may need to be adjusted to the conditions of a particular studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct intended for professional ceramic applications. During use, observe workshop safety rules and use appropriate personal protective equipment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiring Temperature:\u003c\/strong\u003e 1267 °C\u003c\/p\u003e","brand":"KJ Glazes","offers":[{"title":"Default Title","offer_id":52758013575495,"sku":"KJ-044P","price":149.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1000004837-01-scaled.webp?v=1785105879"},{"product_id":"glina-sibelco-k3010-10kg","title":"Sibelco K3010 clay 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"65\"\u003eSibelco K3010 Clay – grogged stoneware clay for larger forms\u003c\/h3\u003e\n\u003cp data-start=\"67\" data-end=\"422\"\u003e\u003cstrong data-start=\"67\" data-end=\"80\"\u003eSibelco K3010\u003c\/strong\u003e is a cork-brown stoneware body with a distinct, natural structure. It contains 30% black grog with a grain size of 0–1.0 mm, which helps support larger forms and reduces warping during drying. The warm color of the fired body can be a decorative element on its own, especially on unglazed surfaces.\u003c\/p\u003e\n\u003cp data-start=\"424\" data-end=\"440\"\u003e\u003cstrong data-start=\"424\" data-end=\"440\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"442\" data-end=\"481\"\u003e\n\n\u003cstrong data-start=\"444\" data-end=\"460\"\u003eFired color:\u003c\/strong\u003e cork to brown\u003c\/li\u003e\n\n\u003cli data-start=\"483\" data-end=\"540\"\u003e\n\n\u003cstrong data-start=\"485\" data-end=\"498\"\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpture\u003c\/li\u003e\n\n\u003cli data-start=\"542\" data-end=\"586\"\u003e\n\n\u003cstrong data-start=\"544\" data-end=\"550\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"588\" data-end=\"628\"\u003e\n\n\u003cstrong data-start=\"590\" data-end=\"616\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"630\" data-end=\"688\"\u003e\n\n\u003cstrong data-start=\"632\" data-end=\"650\"\u003eGrog content:\u003c\/strong\u003e 30% black grog, 0–1.0 mm grain\u003c\/li\u003e\n\n\u003cli data-start=\"690\" data-end=\"724\"\u003e\n\n\u003cstrong data-start=\"692\" data-end=\"713\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 5.5%\u003c\/li\u003e\n\n\u003cli data-start=\"726\" data-end=\"767\"\u003e\n\n\u003cstrong data-start=\"728\" data-end=\"747\"\u003eFiring shrinkage:\u003c\/strong\u003e approx. 1.3% at 1040°C\u003c\/li\u003e\n\n\u003cli data-start=\"769\" data-end=\"817\"\u003e\n\n\u003cstrong data-start=\"771\" data-end=\"796\"\u003eWater absorption after firing:\u003c\/strong\u003e approx. 10.5% at 1040°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"821\" data-end=\"1243\"\u003eRecommended for sculpture, pots, vases, lamps, decorative vessels, and larger objects built from slabs or coils. It can also be used on the wheel for forms with slightly thicker walls when a rustic surface character is desired. The warm, cork-like shade and palpable texture make it a good match for wood, linen, and other natural materials in rustic or Scandinavian interiors.\u003c\/p\u003e\n\u003cp data-start=\"1245\" data-end=\"1506\"\u003e\u003csmall data-start=\"1245\" data-end=\"1506\"\u003eThe parameters provided are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Sibelco","offers":[{"title":"Default Title","offer_id":52807018381639,"sku":null,"price":59.9,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/3677deb1-145c-4f09-b2c2-e23526771ddc.png?v=1781621783"},{"product_id":"glina-goerg-schneider-254-10kg","title":"Clay Goerg \u0026 Schneider 254 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"71\"\u003eGoerg \u0026amp; Schneider 254 Clay – light, fine grogged stoneware body\u003c\/h3\u003e\n\u003cp data-start=\"73\" data-end=\"360\"\u003e\u003cstrong data-start=\"73\" data-end=\"94\"\u003eGoerg \u0026amp; Schneider 254\u003c\/strong\u003e is a versatile, light stoneware body with 25% very fine grog. The 0–0.2 mm grain size improves stability during throwing and modelling, yet allows for a smooth surface suitable for functional ware. After firing, the body has a white to light cream color.\u003c\/p\u003e\n\u003cp data-start=\"362\" data-end=\"378\"\u003e\u003cstrong data-start=\"362\" data-end=\"378\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"380\" data-end=\"422\"\u003e\n\n\u003cstrong data-start=\"382\" data-end=\"398\"\u003eFired color:\u003c\/strong\u003e white to light cream\u003c\/li\u003e\n\n\u003cli data-start=\"424\" data-end=\"468\"\u003e\n\n\u003cstrong data-start=\"426\" data-end=\"439\"\u003eApplication:\u003c\/strong\u003e throwing and hand-building\u003c\/li\u003e\n\n\u003cli data-start=\"470\" data-end=\"514\"\u003e\n\n\u003cstrong data-start=\"472\" data-end=\"478\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"516\" data-end=\"556\"\u003e\n\n\u003cstrong data-start=\"518\" data-end=\"544\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"558\" data-end=\"607\"\u003e\n\n\u003cstrong data-start=\"560\" data-end=\"578\"\u003eGrog content:\u003c\/strong\u003e 25% grog, 0–0.2 mm grain\u003c\/li\u003e\n\n\u003cli data-start=\"609\" data-end=\"641\"\u003e\n\n\u003cstrong data-start=\"611\" data-end=\"632\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 7%\u003c\/li\u003e\n\n\u003cli data-start=\"643\" data-end=\"702\"\u003e\n\n\u003cstrong data-start=\"645\" data-end=\"664\"\u003eFiring shrinkage:\u003c\/strong\u003e 5% at 1070°C; 6% at 1140°C; 7% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"704\" data-end=\"769\"\u003e\n\n\u003cstrong data-start=\"706\" data-end=\"731\"\u003eWater absorption after firing:\u003c\/strong\u003e 9% at 1070°C; 6% at 1140°C; 1% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"773\" data-end=\"1118\"\u003eRecommended for mugs, bowls, plates, vases, slab forms, and smaller sculptures. It's a practical choice for those who need a body more stable than smooth clay without grog, yet still comfortable to work with on the wheel. It's one of the most frequently recommended \"beginner\" bodies in schools and ceramic studios—easy to throw and predictable in firing.\u003c\/p\u003e\n\u003cp data-start=\"1120\" data-end=\"1381\"\u003e\u003csmall data-start=\"1120\" data-end=\"1381\"\u003eThe given parameters are approximate. The final color, shrinkage, absorbency, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend conducting a technological test with the chosen body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53787962999111,"sku":"3025400000","price":44.7,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/254_575d4d84-b884-4052-b172-4ca2ed6e6515.jpg?v=1785117220"},{"product_id":"glina-goerg-schneider-24-10kg","title":"Clay Goerg \u0026 Schneider 24 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"59\"\u003eGoerg \u0026amp; Schneider 24 Clay – light, smooth throwing body\u003c\/h3\u003e\n\u003cp data-start=\"61\" data-end=\"326\"\u003e\u003cstrong data-start=\"61\" data-end=\"81\"\u003eGoerg \u0026amp; Schneider 24\u003c\/strong\u003e is a light, smooth throwing body for lower firing temperatures. It does not contain grog, which allows for a smooth surface and precise details. After firing, it turns white to light in color, providing a neutral base for glazes and decorations.\u003c\/p\u003e\n\u003cp data-start=\"328\" data-end=\"344\"\u003e\u003cstrong data-start=\"328\" data-end=\"344\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"346\" data-end=\"381\"\u003e\n\n\u003cstrong data-start=\"348\" data-end=\"364\"\u003eFired color:\u003c\/strong\u003e white to light\u003c\/li\u003e\n\n\u003cli data-start=\"383\" data-end=\"407\"\u003e\n\n\u003cstrong data-start=\"385\" data-end=\"398\"\u003eApplication:\u003c\/strong\u003e throwing\u003c\/li\u003e\n\n\u003cli data-start=\"409\" data-end=\"453\"\u003e\n\n\u003cstrong data-start=\"411\" data-end=\"417\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"455\" data-end=\"495\"\u003e\n\n\u003cstrong data-start=\"457\" data-end=\"483\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1150°C\u003c\/li\u003e\n\n\u003cli data-start=\"497\" data-end=\"522\"\u003e\n\n\u003cstrong data-start=\"499\" data-end=\"517\"\u003eGrog content:\u003c\/strong\u003e none\u003c\/li\u003e\n\n\u003cli data-start=\"524\" data-end=\"556\"\u003e\n\n\u003cstrong data-start=\"526\" data-end=\"547\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 7%\u003c\/li\u003e\n\n\u003cli data-start=\"558\" data-end=\"604\"\u003e\n\n\u003cstrong data-start=\"560\" data-end=\"579\"\u003eFiring shrinkage:\u003c\/strong\u003e 4% at 1070°C; 6% at 1140°C\u003c\/li\u003e\n\n\u003cli data-start=\"606\" data-end=\"658\"\u003e\n\n\u003cstrong data-start=\"608\" data-end=\"633\"\u003eWater absorption after firing:\u003c\/strong\u003e 6% at 1070°C; 1% at 1140°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"662\" data-end=\"1056\"\u003eRecommended for mugs, bowls, plates, small vases, and pieces requiring a smooth surface. The range ends at approximately 1150°C, so glazes designed for this temperature should be selected, and manufacturer's recommendations should not be exceeded. A good choice for those looking for a smooth, light clay body for lower firing, e.g., when working with ready-made low-temperature glazes or in kilns with limited power.\u003c\/p\u003e\n\u003cp data-start=\"1058\" data-end=\"1319\"\u003e\u003csmall data-start=\"1058\" data-end=\"1319\"\u003eThe given parameters are approximate. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the chosen clay body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087189831,"sku":"3002400000","price":47.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/24.jpg?v=1785117244"},{"product_id":"glina-goerg-schneider-1100-10kg","title":"Clay Goerg \u0026 Schneider 1100 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"79\"\u003eGoerg \u0026amp; Schneider 1100 Clay – very light, smooth stoneware body for throwing\u003c\/h3\u003e\n\u003cp data-start=\"81\" data-end=\"371\"\u003e\u003cstrong data-start=\"81\" data-end=\"103\"\u003eGoerg \u0026amp; Schneider 1100\u003c\/strong\u003e is a very light, smooth grog-free stoneware body designed for throwing. When fired at high temperatures, it achieves nearly zero water absorption, creating a highly vitrified, white body. It is a good choice for elegant utility ceramics where smoothness and color purity are important.\u003c\/p\u003e\n\u003cp data-start=\"373\" data-end=\"389\"\u003e\u003cstrong data-start=\"373\" data-end=\"389\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"391\" data-end=\"433\"\u003e\n\n\u003cstrong data-start=\"393\" data-end=\"409\"\u003eFired color:\u003c\/strong\u003e white to very light\u003c\/li\u003e\n\n\u003cli data-start=\"435\" data-end=\"514\"\u003e\n\n\u003cstrong data-start=\"437\" data-end=\"450\"\u003eApplication:\u003c\/strong\u003e throwing, thin-walled vessels, jewelry, and decorative forms\u003c\/li\u003e\n\n\u003cli data-start=\"516\" data-end=\"560\"\u003e\n\n\u003cstrong data-start=\"518\" data-end=\"524\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"562\" data-end=\"602\"\u003e\n\n\u003cstrong data-start=\"564\" data-end=\"590\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"604\" data-end=\"629\"\u003e\n\n\u003cstrong data-start=\"606\" data-end=\"624\"\u003eGrog content:\u003c\/strong\u003e none\u003c\/li\u003e\n\n\u003cli data-start=\"631\" data-end=\"663\"\u003e\n\n\u003cstrong data-start=\"633\" data-end=\"654\"\u003eShrinkage during drying:\u003c\/strong\u003e approximately 5%\u003c\/li\u003e\n\n\u003cli data-start=\"665\" data-end=\"704\"\u003e\n\n\u003cstrong data-start=\"667\" data-end=\"686\"\u003eShrinkage during firing:\u003c\/strong\u003e approximately 9% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"706\" data-end=\"753\"\u003e\n\n\u003cstrong data-start=\"708\" data-end=\"733\"\u003eWater absorption after firing:\u003c\/strong\u003e approximately 0.1% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"757\" data-end=\"1139\"\u003eRecommended for cups, mugs, bowls, plates, vases, and thin-walled vessels. Due to high firing shrinkage at the upper temperature range, it is advisable to make dimensional samples and carefully control drying. The porcelain-like white body and nearly zero water absorption make vessels made from this clay suitable for daily, intensive use.\u003c\/p\u003e\n\u003cp data-start=\"1141\" data-end=\"1402\"\u003e\u003csmall data-start=\"1141\" data-end=\"1402\"\u003eThe parameters provided are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the chosen clay body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087222599,"sku":"3011000000","price":75.0,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/1100.jpg?v=1785117268"},{"product_id":"glina-goerg-schneider-208-10-kg","title":"Clay Goerg \u0026 Schneider 208 10 kg","description":"\u003ch3 data-start=\"0\" data-end=\"64\"\u003eGoerg \u0026amp; Schneider 208 Clay – smooth stoneware body for throwing\u003c\/h3\u003e\n\u003cp data-start=\"66\" data-end=\"317\"\u003e\u003cstrong data-start=\"66\" data-end=\"87\"\u003eGoerg \u0026amp; Schneider 208\u003c\/strong\u003e is a light, smooth stoneware body without grog, developed for wheel throwing. It has a white-cream color after firing and a wide temperature range, allowing it to be used in both low and high stoneware firings.\u003c\/p\u003e\n\u003cp data-start=\"319\" data-end=\"335\"\u003e\u003cstrong data-start=\"319\" data-end=\"335\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"337\" data-end=\"379\"\u003e\n\n\u003cstrong data-start=\"339\" data-end=\"355\"\u003eFired color:\u003c\/strong\u003e white to light cream\u003c\/li\u003e\n\n\u003cli data-start=\"381\" data-end=\"405\"\u003e\n\n\u003cstrong data-start=\"383\" data-end=\"396\"\u003eApplication:\u003c\/strong\u003e throwing\u003c\/li\u003e\n\n\u003cli data-start=\"407\" data-end=\"451\"\u003e\n\n\u003cstrong data-start=\"409\" data-end=\"415\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"453\" data-end=\"493\"\u003e\n\n\u003cstrong data-start=\"455\" data-end=\"481\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"495\" data-end=\"520\"\u003e\n\n\u003cstrong data-start=\"497\" data-end=\"515\"\u003eGrog content:\u003c\/strong\u003e none\u003c\/li\u003e\n\n\u003cli data-start=\"522\" data-end=\"554\"\u003e\n\n\u003cstrong data-start=\"524\" data-end=\"545\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 6%\u003c\/li\u003e\n\n\u003cli data-start=\"556\" data-end=\"615\"\u003e\n\n\u003cstrong data-start=\"558\" data-end=\"577\"\u003eFiring shrinkage:\u003c\/strong\u003e 2% at 1070°C; 4% at 1140°C; 7% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"617\" data-end=\"683\"\u003e\n\n\u003cstrong data-start=\"619\" data-end=\"644\"\u003eWater absorption after firing:\u003c\/strong\u003e 10% at 1070°C; 7% at 1140°C; 1% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"687\" data-end=\"1073\"\u003eRecommended for mugs, cups, bowls, plates, and vases. The absence of grog provides a smooth surface and comfortable trimming, but requires more even drying, especially for wide and flat forms. The wide range of firing temperatures offers flexibility in choosing kilns and glazes – the same body can be used for both low and high stoneware firings in the same studio.\u003c\/p\u003e\n\u003cp data-start=\"1075\" data-end=\"1336\"\u003e\u003csmall data-start=\"1075\" data-end=\"1336\"\u003eThe parameters provided are indicative. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before making a larger series, we recommend a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087288135,"sku":"3020800000","price":43.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/208.jpg?v=1785117293"},{"product_id":"glina-goerg-schneider-234-10-kg","title":"Clay Goerg \u0026 Schneider 234 10 kg","description":"\u003ch3 data-start=\"0\" data-end=\"76\"\u003eGoerg \u0026amp; Schneider 234 Paperclay – light stoneware paperclay\u003c\/h3\u003e\n\u003cp data-start=\"78\" data-end=\"380\"\u003e\u003cstrong data-start=\"78\" data-end=\"109\"\u003eGoerg \u0026amp; Schneider 234 Paperclay\u003c\/strong\u003e is a light stoneware clay enriched with paper fibers. The fibers increase the strength of the unfired work and facilitate joining elements, repairing cracks, and creating lightweight, intricate structures. After firing, the clay turns white to light cream.\u003c\/p\u003e\n\u003cp data-start=\"382\" data-end=\"398\"\u003e\u003cstrong data-start=\"382\" data-end=\"398\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"400\" data-end=\"442\"\u003e\n\n\u003cstrong data-start=\"402\" data-end=\"418\"\u003eFired color:\u003c\/strong\u003e white to light cream\u003c\/li\u003e\n\n\u003cli data-start=\"444\" data-end=\"515\"\u003e\n\n\u003cstrong data-start=\"446\" data-end=\"459\"\u003eApplication:\u003c\/strong\u003e sculpture, thin slabs, large and lightweight forms, and repairs\u003c\/li\u003e\n\n\u003cli data-start=\"517\" data-end=\"576\"\u003e\n\n\u003cstrong data-start=\"519\" data-end=\"525\"\u003eForm:\u003c\/strong\u003e plastic paperclay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"578\" data-end=\"618\"\u003e\n\n\u003cstrong data-start=\"580\" data-end=\"606\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"620\" data-end=\"672\"\u003e\n\n\u003cstrong data-start=\"622\" data-end=\"630\"\u003eAdditive:\u003c\/strong\u003e paper fibers; no grog\u003c\/li\u003e\n\n\u003cli data-start=\"674\" data-end=\"706\"\u003e\n\n\u003cstrong data-start=\"676\" data-end=\"697\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 7%\u003c\/li\u003e\n\n\u003cli data-start=\"708\" data-end=\"767\"\u003e\n\n\u003cstrong data-start=\"710\" data-end=\"729\"\u003eFiring shrinkage:\u003c\/strong\u003e 5% at 1070°C; 7% at 1140°C; 8% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"769\" data-end=\"835\"\u003e\n\n\u003cstrong data-start=\"771\" data-end=\"796\"\u003eWater absorption after firing:\u003c\/strong\u003e 11% at 1070°C; 6% at 1140°C; 3% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"839\" data-end=\"1222\"\u003eRecommended for sculpture, thin slabs, large but lightweight forms, ceramic installations, and repairing and building up elements. The fibers burn out during the process, so thorough drying of the work and adequate kiln ventilation are necessary. This is a favorite clay among creators of spatial installations and sculptors working on large-format, but as light as possible, objects.\u003c\/p\u003e\n\u003cp data-start=\"1224\" data-end=\"1485\"\u003e\u003csmall data-start=\"1224\" data-end=\"1485\"\u003eThe given parameters are approximate. The final color, shrinkage, absorbency, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087320903,"sku":"3023400000","price":68.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/234.jpg?v=1785117318"},{"product_id":"glina-goerg-schneider-258-10kg","title":"Clay Goerg \u0026 Schneider 258 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"75\"\u003eGoerg \u0026amp; Schneider 258 Clay – light, contrast-speckled stoneware body\u003c\/h3\u003e\n\u003cp data-start=\"77\" data-end=\"345\"\u003e\u003cstrong data-start=\"77\" data-end=\"98\"\u003eGoerg \u0026amp; Schneider 258\u003c\/strong\u003e is a striking light stoneware body with dark grog, described by the manufacturer as \"black in white\". It contains 25% grog 0–0.5 mm. After firing, the black specks contrast sharply with the light body, creating a natural, graphic surface pattern.\u003c\/p\u003e\n\u003cp data-start=\"347\" data-end=\"363\"\u003e\u003cstrong data-start=\"347\" data-end=\"363\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"365\" data-end=\"407\"\u003e\n\n\u003cstrong data-start=\"367\" data-end=\"383\"\u003eFired colour:\u003c\/strong\u003e light with black grog\u003c\/li\u003e\n\n\u003cli data-start=\"409\" data-end=\"466\"\u003e\n\n\u003cstrong data-start=\"411\" data-end=\"424\"\u003eApplication:\u003c\/strong\u003e hand-building, slab work and sculpture\u003c\/li\u003e\n\n\u003cli data-start=\"468\" data-end=\"512\"\u003e\n\n\u003cstrong data-start=\"470\" data-end=\"476\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"514\" data-end=\"554\"\u003e\n\n\u003cstrong data-start=\"516\" data-end=\"542\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"556\" data-end=\"620\"\u003e\n\n\u003cstrong data-start=\"558\" data-end=\"576\"\u003eGrog content:\u003c\/strong\u003e 25% grog, 0–0.5 mm grain size, black grog\u003c\/li\u003e\n\n\u003cli data-start=\"622\" data-end=\"654\"\u003e\n\n\u003cstrong data-start=\"624\" data-end=\"645\"\u003eDrying shrinkage:\u003c\/strong\u003e approximately 5%\u003c\/li\u003e\n\n\u003cli data-start=\"656\" data-end=\"715\"\u003e\n\n\u003cstrong data-start=\"658\" data-end=\"677\"\u003eFiring shrinkage:\u003c\/strong\u003e 4% at 1070°C; 5% at 1140°C; 6% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"717\" data-end=\"784\"\u003e\n\n\u003cstrong data-start=\"719\" data-end=\"744\"\u003eWater absorption after firing:\u003c\/strong\u003e 7% at 1070°C; 4% at 1140°C; 0.2% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"788\" data-end=\"1141\"\u003eRecommended for vases, planters, sculptures, lamps, and slab-built objects. Transparent glazes allow the black grog to remain visible, while partial glazing enhances the material's contrast. The \"black in white\" effect allows for interesting, graphic surfaces without the need for manual decoration, which is appreciated by creators of minimalist decorative ceramics.\u003c\/p\u003e\n\u003cp data-start=\"1143\" data-end=\"1404\"\u003e\u003csmall data-start=\"1143\" data-end=\"1404\"\u003eThe given parameters are approximate. The final colour, shrinkage, absorbency, and glaze behaviour depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend a technological test with the chosen body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087419207,"sku":"3025800000","price":44.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/258.jpg?v=1785117345"},{"product_id":"glina-goerg-schneider-264-10kg","title":"Clay Goerg \u0026 Schneider 264 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"64\"\u003eClay Goerg \u0026amp; Schneider 264 – light, grogged stoneware clay\u003c\/h3\u003e\n\u003cp data-start=\"66\" data-end=\"355\"\u003e\u003cstrong data-start=\"66\" data-end=\"87\"\u003eGoerg \u0026amp; Schneider 264\u003c\/strong\u003e is a light stoneware clay with 25% grog 0–0.5 mm, intended for both throwing and hand-building. It has a versatile white-cream color and a slightly more tactile texture than clays with grain up to 0.2 mm, making it well-suited for larger forms as well.\u003c\/p\u003e\n\u003cp data-start=\"357\" data-end=\"373\"\u003e\u003cstrong data-start=\"357\" data-end=\"373\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"375\" data-end=\"417\"\u003e\n\n\u003cstrong data-start=\"377\" data-end=\"393\"\u003eFired color:\u003c\/strong\u003e white to light cream\u003c\/li\u003e\n\n\u003cli data-start=\"419\" data-end=\"463\"\u003e\n\n\u003cstrong data-start=\"421\" data-end=\"434\"\u003eApplication:\u003c\/strong\u003e throwing and hand-building\u003c\/li\u003e\n\n\u003cli data-start=\"465\" data-end=\"509\"\u003e\n\n\u003cstrong data-start=\"467\" data-end=\"473\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"511\" data-end=\"551\"\u003e\n\n\u003cstrong data-start=\"513\" data-end=\"539\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1280°C\u003c\/li\u003e\n\n\u003cli data-start=\"553\" data-end=\"602\"\u003e\n\n\u003cstrong data-start=\"555\" data-end=\"573\"\u003eGrog content:\u003c\/strong\u003e 25% grog, grain 0–0.5 mm\u003c\/li\u003e\n\n\u003cli data-start=\"604\" data-end=\"636\"\u003e\n\n\u003cstrong data-start=\"606\" data-end=\"627\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 6%\u003c\/li\u003e\n\n\u003cli data-start=\"638\" data-end=\"697\"\u003e\n\n\u003cstrong data-start=\"640\" data-end=\"659\"\u003eFiring shrinkage:\u003c\/strong\u003e 3% at 1070°C; 6% at 1140°C; 6% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"699\" data-end=\"764\"\u003e\n\n\u003cstrong data-start=\"701\" data-end=\"726\"\u003eWater absorption after firing:\u003c\/strong\u003e 8% at 1070°C; 4% at 1140°C; 1% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"768\" data-end=\"1125\"\u003eRecommended for bowls, vases, planters, functional tableware with slightly thicker walls, sculpture, and slab forms. The light color enhances most glazes, and the medium-fine grog strengthens the construction. This is a good intermediate option between smooth and heavily grogged clays – stable enough for larger forms, yet still friendly on the wheel.\u003c\/p\u003e\n\u003cp data-start=\"1127\" data-end=\"1388\"\u003e\u003csmall data-start=\"1127\" data-end=\"1388\"\u003eThe given parameters are approximate. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before making a larger series, we recommend a technological test with the selected clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087451975,"sku":"3026400000","price":44.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/264.jpg?v=1785117374"},{"product_id":"glina-goerg-schneider-359-10kg","title":"Clay Goerg \u0026 Schneider 359 10kg","description":"\u003ch3\u003eGoerg \u0026amp; Schneider 359 Clay – salmon-colored, fine grog modeling clay\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eGoerg \u0026amp; Schneider 359\u003c\/strong\u003e is a salmon-colored stoneware clay with 25% fine grog 0–0.2 mm. The warm, delicate color of the fired body distinguishes it from classic red and beige clays, and the fine grain allows for a relatively smooth surface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFired color:\u003c\/strong\u003e salmon\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpture\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg bags\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFiring temperature range:\u003c\/strong\u003e 1000–1220°C\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eGrog content:\u003c\/strong\u003e 25% grog, grain size 0–0.2 mm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDrying shrinkage:\u003c\/strong\u003e approx. 6%\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFiring shrinkage:\u003c\/strong\u003e 3% at 1070°C; 6% at 1140°C; 6% at 1200°C\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWater absorption after firing:\u003c\/strong\u003e 9% at 1070°C; 5% at 1140°C; 2% at 1200°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003eRecommended for decorative vessels, vases, pots, sculptures, and slab forms. The warm color works well with transparent, white, cream, and turquoise glazes. The unusual, salmon hue of the fired body sets pieces made from this clay apart from more classic white and red stonewares.\u003c\/p\u003e\n\u003cp\u003e\u003csmall\u003eThe parameters provided are approximate. The final color, shrinkage, water absorption, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend conducting a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087484743,"sku":"3035900000","price":44.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/359.jpg?v=1785117398"},{"product_id":"glina-goerg-schneider-371-10kg","title":"Clay Goerg \u0026 Schneider 371 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"72\"\u003eGoerg \u0026amp; Schneider 371 Clay – dark, finely grogged stoneware body\u003c\/h3\u003e\n\u003cp data-start=\"74\" data-end=\"345\"\u003e\u003cstrong data-start=\"74\" data-end=\"95\"\u003eGoerg \u0026amp; Schneider 371\u003c\/strong\u003e is a finely grogged, grey-black stoneware body suitable for both throwing and modelling. It contains 25% grog (0–0.2 mm), which gives a stable body without a heavily textured surface. It achieves very low water absorption at high firing temperatures.\u003c\/p\u003e\n\u003cp data-start=\"347\" data-end=\"363\"\u003e\u003cstrong data-start=\"347\" data-end=\"363\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"365\" data-end=\"396\"\u003e\n\n\u003cstrong data-start=\"367\" data-end=\"383\"\u003eFired colour:\u003c\/strong\u003e grey-black\u003c\/li\u003e\n\n\u003cli data-start=\"398\" data-end=\"442\"\u003e\n\n\u003cstrong data-start=\"400\" data-end=\"413\"\u003eApplication:\u003c\/strong\u003e throwing and hand-building\u003c\/li\u003e\n\n\u003cli data-start=\"444\" data-end=\"488\"\u003e\n\n\u003cstrong data-start=\"446\" data-end=\"452\"\u003eForm:\u003c\/strong\u003e plastic clay, 10 kg packs\u003c\/li\u003e\n\n\u003cli data-start=\"490\" data-end=\"530\"\u003e\n\n\u003cstrong data-start=\"492\" data-end=\"518\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"532\" data-end=\"581\"\u003e\n\n\u003cstrong data-start=\"534\" data-end=\"552\"\u003eGrog content:\u003c\/strong\u003e 25% grog, grain size 0–0.2 mm\u003c\/li\u003e\n\n\u003cli data-start=\"583\" data-end=\"615\"\u003e\n\n\u003cstrong data-start=\"585\" data-end=\"606\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 7%\u003c\/li\u003e\n\n\u003cli data-start=\"617\" data-end=\"676\"\u003e\n\n\u003cstrong data-start=\"619\" data-end=\"638\"\u003eFiring shrinkage:\u003c\/strong\u003e 3% at 1070°C; 5% at 1140°C; 8% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"678\" data-end=\"745\"\u003e\n\n\u003cstrong data-start=\"680\" data-end=\"705\"\u003eWater absorption after firing:\u003c\/strong\u003e 9% at 1070°C; 5% at 1140°C; 0.1% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"749\" data-end=\"1047\"\u003eRecommended for mugs, bowls, vases, decorative plates, slab forms, and sculptures. Due to its fine grain, it is more comfortable to throw on the wheel than typical dark sculpting clays. It is a practical choice when a dark, modern body colour is desired without sacrificing throwing comfort on the wheel.\u003c\/p\u003e\n\u003cp data-start=\"1049\" data-end=\"1310\"\u003e\u003csmall data-start=\"1049\" data-end=\"1310\"\u003eThe parameters provided are indicative. The final colour, shrinkage, water absorption, and glaze behaviour depend on the kiln, atmosphere, soaking time, and firing curve. Before making a larger series, we recommend a technological test with the chosen body and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087550279,"sku":"3037100000","price":55.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/371.jpg?v=1785117423"},{"product_id":"glina-goerg-schneider-373-10kg","title":"Clay Goerg \u0026 Schneider 373 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"73\"\u003eGoerg \u0026amp; Schneider 373 Clay – Grey-black stoneware modelling clay\u003c\/h3\u003e\n\u003cp data-start=\"75\" data-end=\"330\"\u003e\u003cstrong data-start=\"75\" data-end=\"96\"\u003eGoerg \u0026amp; Schneider 373\u003c\/strong\u003e is a grey-black stoneware clay with 30% grog (0–0.5 mm). The increased grog content facilitates the creation of stable forms and gives the surface a natural, slightly grainy texture. This clay is primarily intended for modelling.\u003c\/p\u003e\n\u003cp data-start=\"332\" data-end=\"348\"\u003e\u003cstrong data-start=\"332\" data-end=\"348\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"350\" data-end=\"381\"\u003e\n\n\u003cstrong data-start=\"352\" data-end=\"368\"\u003eFired colour:\u003c\/strong\u003e grey-black\u003c\/li\u003e\n\n\u003cli data-start=\"383\" data-end=\"440\"\u003e\n\n\u003cstrong data-start=\"385\" data-end=\"398\"\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpting\u003c\/li\u003e\n\n\u003cli data-start=\"442\" data-end=\"486\"\u003e\n\n\u003cstrong data-start=\"444\" data-end=\"450\"\u003eForm:\u003c\/strong\u003e plastic clay, packaged in 10 kg bags\u003c\/li\u003e\n\n\u003cli data-start=\"488\" data-end=\"528\"\u003e\n\n\u003cstrong data-start=\"490\" data-end=\"516\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"530\" data-end=\"579\"\u003e\n\n\u003cstrong data-start=\"532\" data-end=\"550\"\u003eGrog content:\u003c\/strong\u003e 30% grog, grain size 0–0.5 mm\u003c\/li\u003e\n\n\u003cli data-start=\"581\" data-end=\"613\"\u003e\n\n\u003cstrong data-start=\"583\" data-end=\"604\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 6%\u003c\/li\u003e\n\n\u003cli data-start=\"615\" data-end=\"674\"\u003e\n\n\u003cstrong data-start=\"617\" data-end=\"636\"\u003eFiring shrinkage:\u003c\/strong\u003e 3% at 1070°C; 4% at 1140°C; 6% at 1240°C\u003c\/li\u003e\n\n\u003cli data-start=\"676\" data-end=\"741\"\u003e\n\n\u003cstrong data-start=\"678\" data-end=\"703\"\u003eWater absorption after firing:\u003c\/strong\u003e 9% at 1070°C; 5% at 1140°C; 1% at 1240°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"745\" data-end=\"1095\"\u003eIt is suitable for sculptures, lamps, pots, reliefs, and objects with thicker walls. The dark bisque should be partially exposed to highlight the contrast between the clay and the glaze. It works particularly well for pieces with thicker walls where structural stability is paramount, rather than precise surface finishing.\u003c\/p\u003e\n\u003cp data-start=\"1097\" data-end=\"1358\"\u003e\u003csmall data-start=\"1097\" data-end=\"1358\"\u003eThe parameters provided are for guidance only. The final colour, shrinkage, water absorption, and glaze behaviour depend on the kiln, atmosphere, soaking time, and firing curve. Before producing a larger series, we recommend conducting a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087583047,"sku":"3037300000","price":55.9,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/373.jpg?v=1785117449"},{"product_id":"glina-goerg-schneider-374-10kg","title":"Clay Goerg \u0026 Schneider 374 10kg","description":"\u003ch3 data-start=\"0\" data-end=\"67\"\u003eGoerg \u0026amp; Schneider 374 Clay – Black Stoneware Clay for Modelling\u003c\/h3\u003e\n\u003cp data-start=\"69\" data-end=\"309\"\u003e\u003cstrong data-start=\"69\" data-end=\"90\"\u003eGoerg \u0026amp; Schneider 374\u003c\/strong\u003e is an intensely dark stoneware clay described by the manufacturer as \"black in black\". It contains 25% chamotte 0–0.5 mm, which provides good stability and a subtle texture without dominating the deep color of the fired body.\u003c\/p\u003e\n\u003cp data-start=\"311\" data-end=\"327\"\u003e\u003cstrong data-start=\"311\" data-end=\"327\"\u003eCharacteristics:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli data-start=\"329\" data-end=\"354\"\u003e\n\n\u003cstrong data-start=\"331\" data-end=\"347\"\u003eFired color:\u003c\/strong\u003e black\u003c\/li\u003e\n\n\u003cli data-start=\"356\" data-end=\"413\"\u003e\n\n\u003cstrong data-start=\"358\" data-end=\"371\"\u003eApplication:\u003c\/strong\u003e hand-building, slab work, and sculpture\u003c\/li\u003e\n\n\u003cli data-start=\"415\" data-end=\"459\"\u003e\n\n\u003cstrong data-start=\"417\" data-end=\"423\"\u003eForm:\u003c\/strong\u003e plastic clay, packed in 10 kg\u003c\/li\u003e\n\n\u003cli data-start=\"461\" data-end=\"501\"\u003e\n\n\u003cstrong data-start=\"463\" data-end=\"489\"\u003eFiring temperature range:\u003c\/strong\u003e 1000–1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"503\" data-end=\"552\"\u003e\n\n\u003cstrong data-start=\"505\" data-end=\"523\"\u003eChamotte content:\u003c\/strong\u003e 25% chamotte, grain size 0–0.5 mm\u003c\/li\u003e\n\n\u003cli data-start=\"554\" data-end=\"586\"\u003e\n\n\u003cstrong data-start=\"556\" data-end=\"577\"\u003eDrying shrinkage:\u003c\/strong\u003e approx. 7%\u003c\/li\u003e\n\n\u003cli data-start=\"588\" data-end=\"647\"\u003e\n\n\u003cstrong data-start=\"590\" data-end=\"609\"\u003eFiring shrinkage:\u003c\/strong\u003e 3% at 1070°C; 5% at 1140°C; 6% at 1200°C\u003c\/li\u003e\n\n\u003cli data-start=\"649\" data-end=\"716\"\u003e\n\n\u003cstrong data-start=\"651\" data-end=\"676\"\u003eWater absorption after firing:\u003c\/strong\u003e 8% at 1070°C; 4% at 1140°C; 0.3% at 1200°C\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"720\" data-end=\"1082\"\u003eRecommended for sculpture, pots, vases, lamps, and decorative slab forms. The dark body yields striking results with white, turquoise, metallic, and transparent glazes, but it may alter their color, so testing is advisable. The deep, uniform black of the fired body is particularly impressive when combined with glossy, metallic, or contrastingly white glazes.\u003c\/p\u003e\n\u003cp data-start=\"1084\" data-end=\"1345\"\u003e\u003csmall data-start=\"1084\" data-end=\"1345\"\u003eThe given parameters are approximate. The final color, shrinkage, absorbency, and glaze behavior depend on the kiln, atmosphere, soaking time, and firing curve. Before making a larger series, we recommend conducting a technological test with the chosen clay and glaze.\u003c\/small\u003e\u003c\/p\u003e","brand":"Goerg \u0026 Schneider","offers":[{"title":"Default Title","offer_id":53788087648583,"sku":"3037400000","price":53.5,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2423\/0853\/files\/374.jpg?v=1785117473"}],"url":"https:\/\/alike.live\/en\/collections\/sklep.oembed?page=4","provider":"Alike Pottery Studio","version":"1.0","type":"link"}